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  • Hart House Portaiture Course
    Monday, May 3, 2010

    For the second year in a row, Molly taught Portraiture to a terrific group of students at Hart House, University of Toronto. The Portraiture course introduces students to the idea of creating personal vision, and challenges them to take their photographic work with portrait subjects to the next level. This is done through discussions of the works of various influential portrait photographers, in and out of class assignments and practical demonstrations. This image was created by the class collectively as part of an in-class exercise. The class ran in February and March, 2010.

  • Hart House Portaiture Class Exhibit
    Monday, May 3, 2010

    This year Molly had her first opportunity to curate a photographic exhibition. She worked with students from her Hart House Portraiture class to produce a show of their work, displayed at Hart House from April 19 to May 2. 

  • Cancer Connections Exhibit
    Monday, May 3, 2010

    The Photosensitive project Cancer Connections, which includes one of Molly’s portraits, is continuing to travel throughout Canada. The exhibit is expected to be on display in Calgary in mid-May, and will be in Ottawa for its grand finale on June 1 at the Capital Info Centre, 90 Wellington Street (opposite Parliament Hill). All of the images in this show depict cancer survivors and victims. Molly’s portrait is a very personal one of her mother, Dr. Carol Marie Crealock, who died of cancer in 2006.

  • Camphill Grangemockler Documentary Project
    Monday, February 1, 2010

    From October, 2009 to January, 2010 Molly lived in the village of Grangemockler, County Tipperary, Ireland, on an organic farm with approximately twenty volunteers and twenty adults with special needs. Molly returned to the farm ("Camphill") where she had volunteered ten years previous, to document the lives of residents there, many of whom have been living and working together for the past 20 years. Her photographs from the farm – portraits of the residents, animals and land – together form a portrait of Camphill itself, that is colourful, insightful and personal.